APPENDIX III
Texts for Further Reading –
Comprehensive Bibliography
The following list is not a bibliography for this paper, but is provided as a recommendation of further resources for reading. This list has been compiled primarily using numerous internet sources, and in particular the extensive list compiled by Geoffrey Chew, of the University of London)
Abert, Anna Amalie, Claudio Monteverdi und das musikalische Drama, Lippstadt: Kistner & Siegel, 1954
_______, "Tasso, Guarini e l'opera", Nuova rivista musicale italiana 4/5 (1970), 827-840
_______, Claudio Monteverdis Bedeutung für die Entstehung des musikalischen Dramas, Erträge der Forschung 107, Darmstadt: Wissenschaftliche Buchgesellschaft [Abt. Verl.], 1979
Adams, K.Gary and Dyke Kiel, Claudio Monteverdi: A Guide to Research, Garland Reference Library of the Humanities 792, New York: Garland, 1989
Aerde, Raymond Joseph Justin van, Notice sur la vie & les oeuvres de Cyprien de Rore, illustre musicien malinois du XVIme siècle, Malines: L. & A. Godenne, 1909
Aldrich, Putman, The Rhythm of Seventeenth-Century Italian Monody, New York: W.W. Norton, 1966
Allacci, Leone, Drammaturgia di Leone Allacci divisa in sette indici, 1st ed., Rome: Per il Mascardi, 1666
_______, Drammaturgia di Lione Allacci accresciuta e continuata fino all'anno MDCCLV, 2nd ed., Venice: Giambattista Pasquali, 1755
Alm, Irene, "L'Arte della Danza ai Tempi di Claudio Monteverdi", Dance Research Journal 26/1 (1994) (Spring), 44
Ambros, August Wilhelm, Zur Lehre vom Quinten-Verbote: Eine Studie, Leipzig: Heinrich Matthes, [1859]
Anderle, Jirí and Harry Halbreich, Ricercari : in omaggio al sig. Claudio Monteverdi / Anderle ... [et al.], n.p.: n.p., 1972?
Anfuso, Nella, Claudio Monteverdi, Orfeo: exempla di semeiografia ed armonia nell'edizione del 1609; lezione proposta da N. Anfuso; realizzazione di Vito Frazzi; testo di A. Gianuario, Florence: OTOS, c1972
Anfuso, Nella and Annibale Gianuario, Lamento d'Arianna [di] Claudio Monteverdi: studio e interpretazione ... sulla edizione a stampa del Gardano, Venezia, 1623, Florence: OTOS, [c1969]
_______, Modalità e realtà fonetica nel Lamento d'Arianna di Claudio Monteverdi, Nuova metodologia 1, Florence: OTOS, [per il] Centro Studi Rinascimento Musicale, [1970]
_______, Preparazione alla interpretazione della Poiesis monteverdiana, Florence: OTOS, [per il] Centro studi Rinascimento musicale, 1971
_______, Le tre Arianne di Claudio Monteverdi, Nuova metodologia 5, Florence: Centro studi Rinascimento musicale, 1975
_______, Amenita pseudomusicologiche del Sig. Adriano Cavicchi, Florence: Centro Studi Rinascimento Musicale, 1975
Anon., Claudio Monteverdi, Florence: Sansoni, 1943
_______, Ifigenia di I. Pizzetti. Tirsi e Clori di C. Monteverdi e A. Milloss, [Florence]: [Maggio musicale fiorentino XIV, 1951], [1951]
_______, Italienische Musiker und das Kaiserhaus, 1567-1625; Dedikationsstücke und Werke von Musikern im Dienste des Kaiserhauses. Madrigale von Filippo di Monte, Francesco Portinaro, Andrea Gabrieli, Annibale Padoano, Denkmäler der Tonkunst in Österreich 77, Graz: Akademische Druck- u. Verlagsanstalt, 1960 [1934]
_______, Baroque opera at Smith College, 1926-1931; record of a pioneer venture in music: Monteverdi and Handel operas as performed under the direction of Werner Josten, New York, 1966
_______, Dedicado a Claudio Monteverdi, Ars; revista de arte A¤o 26, no. 102, Buenos Aires, 1966
_______, Scritti in onore di Luigi Ronga, Milan and Naples: R. Ricciardi, 1973
_______, L'Orfeo: Monteverdi, L'Avant-scène Opéra 5, Paris: Editions de l'Avant-scène, 1976
_______, ed., Music and Language, Studies in the History of Music (New York, NY) 1, New York: Broude Bros., 1983
_______, Monteverdi, le couronnement de Poppée, L'Avant-scène Opéra 115, Paris: L'Avant-scène, 1988
_______, The operas of Monteverdi, Opera Guide 45, London/ New York: Calder Publications/ Riverrun Press, 1992
_______, Claudio Monteverdi, vom Madrigal zur Monodie, Musik-Konzepte 83-84, Munich: Edition Text + Kritik, 1994
_______, Le retour d'Ulysse, Monteverdi, L'Avant-scène opéra 159, Paris: Editions Premieres loges, [1994]
Arnold, Denis, "Giovanni Croce and the Concertato Style", Musical Quarterly 39 (1953), 37-48
_______, Monteverdi, The Master Musicians, London / New York: J.M. Dent / Farrar, Straus and Cudahy, 1963
_______, Marenzio, London: Oxford University Press, 1965
_______, Monteverdi Madrigals, BBC Music Guides, London: British Broadcasting Corporation, 1967
_______, "Formal Designs in Monteverdi's Music", Congresso internazionale sul tema Claudio Monteverdi e il suo tempo: Relazioni e comunicazioni... Venezia-Mantova-Cremona, 3-7 maggio 1968, edited by Raffaello Monterosso, 187-216, Verona: Stamperia Valdonega, 1969
_______, Monteverdi, The Master Musicians, 2nd ed., London: Dent, 1975
_______, "Villanella", The New Grove Dictionary of Music & Musicians, edited by Stanley Sadie, vol. 19, 770-773, 6th ed., London: Macmillan, 1980
_______, Monteverdi Church Music, BBC Music Guides, London: British Broadcasting Corporation, 1982
_______, "Monteverdi: Some Colleagues and Pupils", The New Monteverdi Companion, edited by Denis Arnold and Nigel Fortune, 121, London: Faber & Faber, 1985
_______, "Monteverdi and his Teachers", The New Monteverdi Companion, edited by Denis Arnold and Nigel Fortune, 97, London: Faber, 1985
_______, Monteverdi, The Master Musicians, 3rd ed., London: Dent, 1990
Arnold, Denis et al., The New Grove Italian Baroque Masters: Monteverdi, Frescobaldi, Cavalli, Corelli, A. Scarlatti, Vivaldi, D. Scarlatti, The New Grove Composer Biography Series, London/ New York: Macmillan/ W.W. Norton, 1984
Arnold, Denis and Nigel Fortune, eds., The Monteverdi Companion, 1st ed., New York: W.W. Norton, 1968
_______, eds., The New Monteverdi Companion, London: Faber, 1985
Arnold, F.T., The Art of Accompaniment from a Thorough-Bass as Practised in the XVIIth and XVIIIth Centuries, Vol. 1-2, London: Oxford University Press, 1931
Artusi, Giovanni Maria, L'Artusi, overo Delle imperfettioni della moderna musica, Venice: Vincenti, 1600
_______, Seconda parte dell'Artusi, overo Delle imperfettioni della moderna musica, Venice: Vincenti, 1603
_______, Discorso secondo musicale di Antonio Braccino [pseud.] da Todi. Per la Dichiaratione della lettera posta ne' Scherzi musicali del sig. Claudio Monteverde, Venice: G. Vincenti, 1608
Assenza, Concetta, Giovan Ferretti tra canzonetta e madrigale, Florence: Leo Olschki, 1989
Atcherson, Walter T., "Key and Mode in Seventeenth-Century Music Theory Books", Journal of Music Theory 17.2 (1973) (Fall), 204-232
Bacchelli, Riccardo, Monteverdiana ... Per le celebrazioni centenarie in Mantova, 1967, Mantua: Istituto Carlo D'Arco; Ente provinciale per il turismo, 1967
_______, Rossini e saggi musicali: Verdi, Beethoven, Monteverdi, Tutte le opere 16, Milan: Mondadori, 1968
Baini, Giuseppe, Memorie storico-critiche della vita e delle opere di Giovanni Pierluigi da Palestrina, cappellano cantore, e quindi compositore della Cappella Pontificia, Maestro di Cappella delle Basiliche Vaticana, Lateranense, e Liberiana, detto Il Principe della Musica, Vol. 1-2, Rome: Dalla Societa Tipografica, 1828
Ballard, William Joseph, The Sources, Development and Culmination of the Dramatic Madrigal, Ph.D. Dissertation, 1957
Balsano, Maria Antonella, L'Ariosto, la musica, i musicisti: quattro studi e sette madrigali ariosteschi ... con una premessa di Lorenzo Bianconi, Quaderni della Rivista italiana di musicologia 5, Florence: L. S. Olschki, 1981
Balsano, Maria Antonella and Thomas Walker, Tasso, la musica, i musicisti, Quaderni della Rivista italiana di musicologia 19, Florence: Leo S. Olschki, 1988
Banchieri, Adriano, L'organo suonarino, Venice: A. Vincenti, 1605, 1611, 1638
_______, Conclusioni nel suono dell'organo, Bologna: Giovanni Rossi, 1609
_______, Cartella musicale, 3rd ed., Venice, 1614
_______, Organo svonarino del p. d. Adriano Banchieri ... In questa quarta impressione accordato con ogni diligenza e diuiso in cinque registri, libro vtilissimo a qual si voglia organista per alternare in voce chorista, alli canti-fermi di tutto l'anno nelle chiesi secolari, regolari, monache, e confraternita a secondo l'vso di santa madre chiesa. Et nel fine dopo la tauola generale di tutta l'opera aggiuntoui il sesto registro ... Opera XXXXIII, 4th ed., Venice: A. Vincenti, 1638
Barbieri, P., "`Chiavette' and Modal Transposition in Italian Practice (c. 1500-1837)", Recercare 3 (1991), 1-79
Barblan, Guglielmo, Claudio Gallico and Guido Pannain, Claudio Monteverdi nel quarto centenario della nascita, Turin: Edizioni RAI Radiotelevisione italiana, [1967]
Barclay, William Jesse, A comparison of available editions of the Vespers of 1610 [by] Claudio Monteverdi, D.M.A. Term project, Stanford University, [1963?]
Barner, W., Barockrhetorik: Untersuchungen zu ihren geschichtlichen Grundlagen, Tübingen: Max Niemeyer Verlag, 1970
Baroffio, G.B., "[Philological Performances (Background to the Celebration of a Mass in Cremona Cathedral Commemorating the 350th Anniversary of the Death of Monteverdi)]", Nuova rivista musicale italiana 27/2 (1994), 221-226
Barucco, Pierre, Le manierisme italien, Que sais-je? 1897, 1st ed., Paris: Presses universitaires de France, 1981
Battisti, Eugenio, Hochrenaissance und Manierismus, Kunst der Welt, Baden-Baden: Holle Verlag, 1970
Bauer, Marion, Miscellaneous papers, PHYSICAL DETAILS: 5 linear in. (1 box); CALL NUMBER: MC 3; LOCATION: New York University Archives, Elmer Holmes Bobst Library, 70 Washington Square South, New York, NY 10012. -- NOTES: Topical. -- Marion Eugenie Bauer was a composer, writer, critic, editor, and professor of music. She was born in Walla Walla, Washington on August 15, 1887. Bauer received an honorary Master of Arts degree from Whitman College in 1932 and an honorary Doctor of Music from the New York College of Music in 1951. She became the first woman faculty member of the Music Department at New York University in 1926 and remained at the University until 1951. Marion Bauer died on August 9, 1955. -- SUMMARY: The papers consist of unpublished manuscripts of Bauer's proposed books, articles, and speeches. Some published material and biographical information is included. -- NOTES: Gift of Frederic Stoessel, 1976 and Harrison Potter, 1982. -- INDEXES: Unpublished guide available (folder level control). -- SUBJECTS: Beethoven, Ludwig van, 1770-1827; Brahms, Johannes, 1833-1897; Liszt, Franz, 1811-1886; Monteverdi, Claudio, 1567-1643; Schumann, Robert, 1810-1856; Wagner, Richard, 1813-1833 (1936-1951)
Baumgart, Fritz Erwin, Renaissance und Kunst des Manierismus, DuMont Dokumente, ser. 1: Kunstgeschichte, Deutung, Dokumente, Cologne: DuMont Schauberg, c1963
Beach, David W., ed., Aspects of Schenkerian Theory, New Haven and London: Yale University Press, 1983
Beaudoin, Russell Martin, The Seconda pratica of Claudio Monteverdi as used in his Quinto libro de madrigali a cinque voci (1605), M.M. Thesis, Michigan State University, 1984
Bebbington, Warren A. and Royston Gustavson,
eds., Sound and Reason: Music and Essays in Honour of Gordon D. Spearritt,
Benincasa, Carmine, Sul manierismo come dentro a uno specchio, Rome: Officina, 1979
Benjamin, Walter, The Origin of German Tragic Drama, London: New Left Books, 1977
Benvenuti, Giacomo, ed., L'incoronazione di Poppea: facsimile del manoscritto It. Cl. 4. n. 439 della Biblioteca nazionale di S. Marco in Venezia/ Claudio Monteverdi, Milan: Fratelli Bocca, 1938
Berardi, Angelo, Miscellanea musicale, Bologna, 1689
_______, Il perche mvsicale, overo Staffetta armonica, nella quale la ragione scioglie le difficolta, e gli esempi dimostrano il modo d'isfuggire gli errori, e di tessere con artificio i componimenti musicali; opera del canonico D. Angelo Berardi, Bologna: P.M. Monti, 1693
Berger, Karol, Theories of Chromatic
and Enharmonic Music in Late 16th- Century
Bergqvist, Ulf, Monteverdi: en dikt, Stockholm: Rabin & Sjögren, 1979
Bettley, John, "Monteverdi's Mass of Thanksgiving revisited", Early Music 22/1 (1994), 45
Bianconi, Lorenzo, "Giulio Caccini e il manierismo musicale", Chigiana 25 (1968), 12-38
_______, "Struttura poetica e struttura musicale nei madrigali di Monteverdi", Congresso internazionale sul tema Claudio Monteverdi e il suo tempo: Relazioni e comunicazioni... Venezia-Mantova-Cremona, 3-7 maggio 1968, edited by Raffaello Monterosso, 335-348, Verona: Stamperia Valdoneza, 1969
_______, "The Caccinian Workshop of Pietro Maria Marsolo", P.M. Marsolo, Madrigali quattro voci, edited by Lorenzo Bianconi, ix-lviii, Musiche rinascimentali siciliani 4, Rome, 1973
_______, "`Ah dolente partita': espressione ed artificio", Studi musicali 3 (1974), [105]-130
_______, ed., Antonio il Verso, Madrigali a tre (libro II, 1605) e a cinque voci (libro XV, opera XXXVI, 1619) con sei madrigali di Pomponio Nenna, Tiburtio Massaino, Ippolito Baccusi e Giovan Battista Bartoli, Florence: Olschki, 1978
_______, Music in the Seventeenth Century, Cambridge: Cambridge University Press, 1987
Blazey, David, "A liturgical role for Monteverdi's Sonata sopra Sancta Maria", Early Music 18/2 (1989), 175
Bode, Robert H., Il primo libro de madrigali by Heinrich Schütz, Ph.D. Dissertation, 1987
Bokina, John, "Deity, Beast, and Tyrant: Images of the Prince in the Operas of Monteverdi", Revue internationale de science politique 12/1 (1991), 48
Bonito Oliva, Achille, L'ideologia del traditore: arte, maniera, manierismo, I Fatti e le idee: Critica d'arte 329, 1st ed., Milan: Feltrinelli, 1976
Bonomo, Gabriele, , Ph.D. Dissertation, University of Pavia, 1987
_______, "[Monteverdi, Giulio Cesare, and Hymns contained in `Delli Affetti Musici']", Rivista italiana di musicologia 27/1-2 (1992), 41-101
Bononcini, Giovanni Maria, Musico prattico/ che brevemente dimostra/ il modo di giungere alla perfetta cognizione di tutte quelle cose, che concorrono alla composizione de i Canti, e di ci•/ ch'all'arte del contrapunto si ricerca, Bologna: Giacomo Monti, 1688
Bonta, Stephen, "Liturgical Problems in Monteverdi's Marian Vespers", Journal of the American Musicological Society 20 (1967), 87-106
Bowers, Roger, "Notation and Proportions in Monteverdi's Mass and Vespers of 1610 [Letter in reply to Jeffrey Kurtzman]", Music & Letters 75/1 (1994), 149-154
Boyden, David, "Monteverdi's `Violini piccoli alla francese' and `viole da brazzo'", Annales musicologiques 6 (1958-63), 387-401
Branca, Vittore and Carlo Ossola, eds., Cultura e società nel Rinascimento tra riforme e manierismi, Civiltà veneziana: Saggi 32, Florence: L.S. Olschki, 1984
_______, eds., Crisi e rinnovamenti nell'autunno del Rinascimento a Venezia, Civiltà veneziana: Saggi 38, Florence: L.S. Olschki, 1991
Brett, Philip, Elizabeth Wood and Gary C. Thomas, eds., Queering the Pitch: The New Gay and Lesbian Musicology, New York: Routledge, 1994
Brett, Ursula, Music and Ideas in Seventeenth-Century
Briganti, Giuliano, Italian mannerism, London/ Leipzig: Thames & Hudson/ VEB Edition, 1962
_______, La maniera italiana, Florence: Sansoni, c1985
Brown, Howard Mayer, "Psyche's Lament: Some Music for the Medici Wedding in 1565", Words and Music: The Scholar's View, edited by Laurence Berman, 1-27, Cambridge, MA, 1972
_______, Music in the Renaissance, Englewood Cliffs, NJ: Prentice-Hall, 1976
_______, "Emulation, Competition, and Homage: Imitation and Theories of Imitation in the Renaissance", Journal of the American Musicological Society 35 (1982), 1-48
Bucchi, Valentino, L'Orfeo di Claudio Monteverdi, [Florence]: n.p., 1949
Buelow, George J., Thorough-Bass Accompaniment According to Johann David Heinichen, Berkeley and Los Angeles: University of California Press, 1966
Bukofzer, Manfred, Music in the Baroque Era from Monteverdi to Bach, London/New York: Dent/Norton, 1948
Buller, Jeffrey L., "Looking Backwards: Baroque Opera and the Ending of the Orpheus Myth", International Journal of the Classical Tradition 1/3 (1995), 57-79
Burdick, Michael, "Phrase Painting and Goal Orientation in Two Late Gesualdo Madrigals", Indiana Theory Review 5.2 (1982), 16-33
Burke, Peter, The Renaissance Sense of the Past, London: Edward Arnold, 1969
Butchart, David, I madrigali di Marco da Gagliano, Civiltà musicale medicea collana di studi musicologici e organologici, ed. Mario Fabbri, 1, Florence: Leo S. Olschki, 1982
Calcaterra, Carlo, ed., I lirici del seicento e dell'Arcadia, Milan, 1936
_______, Il Parnaso in rivolta, Bologna: Mulino, 1961
Carapetyan, Armen, "The Concept of the Imitazione della natura in the Sixteenth Century", Musica disciplina 1 (1946), 47ff
Carapezza, Paolo Emilio, "`O soave armonia': classicita, maniera e barocco nella scuola polifonica siciliana", Studi musicali 3 (1974), 347-390. N
_______, "`Non si levava ancor l'alba novella' Cantava il Gallo sopra il Monteverde", Sette variazioni -- a Luigi Rognoni musiche e studi dei discepoli palermitani, edited by Istituto di storia della musica dell'Università di Palermo, 47-77, Palermo: S.F. Flaccovio, 1985
Cardamone, Donna G., The Villanesca and Related Italian Vocal Part-Music from 1500 to 1560, Ph.D. Dissertation, Harvard University, 1972
_______, ed., Adrian Willaert and his Circle: Canzone Villanesche alla Napolitana and Villotte, Recent Researches in the Music of the Renaissance 30, Madison: A-R Editions, 1978
_______, The `Canzone villanesca alla napolitana' and Related Forms, 1537- 1570, Studies in Musicology 45, Ann Arbor: UMI Research Press, 1981
Carocci, Mauro, L'arte del recitar, danzar cantando: Monteverdi 1600, Carocci 1985/ Mauro Carocci; presentazione, Lorenzo Tozzi, Alberto Ventura, Rome: Soc. LASER: Laboratorio metodologico della danza, 1985
Carter, Harry Hardin, A Study of the Concertato Psalm Settings in Monteverdi's Selva morale e spirituale, D.M.A. Thesis, University of Illinois at Urbana-Champaign, 1971
Carter, Tim, "Review of Denis Arnold and Nigel Fortune, eds., `The New Monteverdi Companion', and Paolo Fabbri, `Monteverdi'", Music & Letters 67 (1986), 169-172
_______, "Artusi, Monteverdi, and the Poetics of Modern Music", Musical Humanism and its Legacy: Essays in Honor of Claude V. Palisca, edited by Nancy Kovaleff Baker and Barbara Russano Hanning, 171-194, Stuyvesant, NY: Pendragon Press, 1992
_______, "`Possente spirto' - Monteverdi and Orphic Song: On Taming the Power of Music", Early Music 21/4 (1993), 517
_______, "Intriguing Laments: Sigismondo d'India, Claudio Monteverdi, and Dido alla parmigiana", Journal of the American Musicological Society, 49 (1996), 32-69
Castiglione, Baldassare, The Book of the Courtier, Harmondsworth: Penguin, 1967
_______, The Book of the Courtier, 1974
Castil-Blaze, Dictionnaire de musique moderne, 1821
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Cesari, Gaetano, Die Entstehung des Madrigals im 16. Jahrhundert, Cremona: P. Fezzi, 1908
_______, La musica in Cremona nella seconda meta del secolo XVI e i primordi dell'arte monteverdiana: Madrigali a 4 e a 5 voci di M. A. Ingegneri, Sacrae cantiunculae e Canzonette di C. Monteverdi, a cura di Gaetano Cesari. Con prefazione di Guido Pannain su appunti di G. Cesari, Istituzioni e monumenti dell' arte musicale italiana 6, Milan: Edizioni Ricordi, 1939
_______, Le origini de madrigale cinquecentesco, Bibliotheca musica Bononiensis Sezione III, n. 36, Bologna: A. Forni, 1976
Chafe, Eric T., "Key Structure and `Tonal Allegory' in the Passions of J.S. Bach: An Introduction", Current Musicology 31 (1981), 39-54
_______, Tonal Allegory in the Vocal Music of J.S. Bach, 1st ed., Berkeley and Los Angeles: University of California Press, 1991
_______, "Aspects of durus/mollis Shift and the Two-System Framework of Monteverdi's Music", Schütz-Jahrbuch (1991), no. 1990, 171-206
_______, Monteverdi's Tonal Language, New York: Schirmer Books, 1992
Chater, James Michael, Luca Marenzio and the Italian Madrigal, 1577-1593, Studies in British musicology, Ann Arbor, MI: UMI Research Press, c1981
Chew, Geoffrey, "The Perfections of Modern Music: Consecutive Fifths and Tonal Coherence in Monteverdi", Music Analysis 8/3 (1989), 247-273
_______, I'm Sorry, I'll Say that Again: Interrelations between Tonal Types and their Rhetorical Basis in Monteverdi, Paper read at National Meeting, American Musicological Society, Austin, Texas (1989)
_______, "Pastoral", The New Grove Dictionary of Opera, edited by Stanley Sadie, vol. 3, 910-913, London: Macmillan, 1992
_______, "The Platonic Agenda of Monteverdi's Seconda Pratica: A Case Study from the Eighth Book of Madrigals", Music Analysis 12/2 (1993), 147-168
Chiarelli, Alessandra, "`L'incoronazione di Poppea' o `Il Nerone': Problemi di filologia testuale", Rivista italiana di musicologia 9 (1974), 117-151
Choron, Alexandre-Étienne and Francois-Joseph Fayolle, Dictionnaire historique des musiciens artistes et amateurs, morts ou vivans, qui se sont illustrés en une partie quelconque de la musique et des arts qui y sont relatifs, 2 vols., Paris: Valade, 1810-11
Ciacchi, Linda Mary, Rhythm, Text, and Formal Design in the Ostinato Madrigals of Claudio Monteverdi, Ph.D. Dissertation, Yale University, 1993
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Cochrane, Eric, The Late Italian Renaissance, 1525-1630, London: Macmillan, 1970
_______, "The Transition from Renaissance to Baroque: The Case of Italian Historiography", History and Theory 19 (1980), 21-38
Cody, Richard, The Landscape of the Mind: Pastoralism and Platonic Theory in Tasso's `Aminta' and Shakespeare's Early Comedies, 1st ed., Oxford: Clarendon Press, 1969
Coeurdevey, Annie, "Claudio Monteverdi: Madrigaux, Livre IV", Analyse Musicale 25 (1991), 65-76
Comitato mantovano per le celebrazioni del IV centenario della nascita di Claudio Monteverdi, Catalogo delle lettere autografe di Claudio Monteverdi conservate presso l'archivio di stato gonzaghesco di Mantova/ a cura di Umberto Bonafini, Mantua: CITEM, [1968?]
Convegno di studi dedicato a Claudio Monteverdi: Siena 1967, Atti del Convegno di studi dedicato a Claudio Monteverdi, Siena, 28-30 aprile 1967, Rivista italiana di musicologia 2/2, Florence: Leo S. Olschki, 1967
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in
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Cowart, G., The Origins of Modern Musical Criticism: French and Italian Music 1600-1750, Studies in Musicology 38, Ann Arbor: UMI Research Press, 1981
Cowen, Graeme, "A Monteverdi Madrigal Rebarred", Choral Journal 35/1 (1994), 47
Cranna, Clifford Alan, jr., Adriano Banchieri's `Cartella musicale' (1614): Translation and Commentary, Ph.D. Dissertation, Stanford University, 1981
Cremona: Comitato cremonese tricentenario della morte di Claudio Monteverdi and Renzo Bacchetta, Claudio Monteverdi; edizione sotto gli auspici del Comitato cremonese tricentenario della morte, Cremona: Comitato cremonese tricentenario della morte di Claudio Monteverdi, 1943
Crescimbeni, Giovan Mario, La bellezza della volgar poesia, Rome: Antonio de' Rossi, 1712
Crocker, Richard, "Perchè Zarlino diede una nuova numerazione ai modi?", Rivista italiana di musicologia 3 (1968), 48-58
Csampai, Attila and Dietmar Holland, eds., Orfeo / Claudio Monteverdi; Orpheus und Eurydike / Christoph Willibald Gluck: Texte, Materialien, Kommentare, Rororo Opernbücher, 1st ed., Reinbek bei Hamburg: Rowohlt, c1988
Curtis, Alan, A selective Monteverdi discography, [Berkeley, CA]: [A. Curtis], 1979
_______, "`La Poppea impasticciata'; or, Who Wrote the Music to `L'Incoronazione' (1643)?", Journal of the American Musicological Society 42 (1989), 23-54
Cusick, Suzanne G., "Gendering Modern Music: Thoughts on the Monteverdi- Artusi Controversy", Journal of the American Musicological Society 46 (1993), 1-25
_______, "There-Was-Not-One-Lady-Who-Failed-To-Shed-A-Tear (Monteverdi's `Lamento d'Arianna') - Arianna's Lament and the Construction of Modern Womanhood", Early Music 22/1 (1994), 21
Dahlhaus, Carl, "Die Termini Dur und Moll", Archiv für Musikwissenschaft 12 (1955), 280-296
_______, "Zur chromatischen Technik Carlo Gesualdos", Analecta musicologica 4 (1967), 77-96
_______, Untersuchungen über die Entstehung der harmonischen Tonalität, Saarbrücker Studien zur Musikwissenschaft, ed. Walter Wiora, 2, Kassel, Basle, Paris, London & New York: Bärenreiter, 1968
_______, "Some Models of Unity in Musical Form", Journal of Music Theory 19.1 (1975) (Spring), 2-30
_______, "Ecco mormorar l'onde: Versuch, ein Monteverdi-Madrigal zu interpretieren", Chormusik und Analyse, edited by Heinrich Poos, 139- 154, Mainz: Schott, 1983
_______, "Ist Rameaus Traité de l'harmonie eine Harmonielehre?", Musiktheorie 1.2 (1986), 123-128
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_______, ed., Readings in the History of Music in Performance, Bloomington: Indiana University Press, 1979
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_______, Feminine Endings: Music, Gender, and Sexuality, Minneapolis: University of Minnesota Press, 1991
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